Need layers? We got layers… We got alllll the layers. Here’s the deal. Electronic music sounds pretty bland without layering – this is where foley comes in, you use it to layer on basses, drums, synth sounds, other foley, anything really. It adds texture, sonic interest & relisten value.
Ever wished your music sounded more moist? Ever been listening to a foley-based, glitch artist and thought to yourself “HOW DO THEY GET THIS SO WET!? THIS GUY MUST BE A SYNTHESIS GOD!” Well, wonder no more! Bar a few artists, most of them aren’t synthesising that stuff – they’re just nicely recorded water samples, and that’s exactly what you’ll be getting here :)
Mike Bono is a session musician in New York City and a regular performer in the bands of Broadway musicals. This sample pack showcases his pristine musicianship on the acoustic guitar. The loops vary in style, but lean toward the realm of finger-picked indie folk. The clarity of these sounds mean that they work just as well with singer / songwriters as they do for samples in hip hop and film scores.
‘Flamenco Guitars Vol 1’ features 87 loops arranged in 5 convenient Construction Kits ranging from 80 to 140 BPM. All loops were recorded with high-end Spanish Guitars and are perfect for layering, mixing and matching. Add the sizzling sound of real Latin guitars to Hip Hop, Trap, Chillout, Downtempo or Groove productions.
Room Keys: 4am Future RnB blends late night soul with smokey RnB aesthetics. Hazy neon synths and shimmering guitars meet twisted pitched vocals, lush chord progressions and futuristic keys. Created in collaboration with Arthouse Acoustics, we recorded live sessions deep into the early hours to chop, resample and layer into a cocktail of late night love songs. Carefully arranged and processed melodics create a deep collection of song starters and stacked loops. Live guitars, classic Rhodes, unique vintage synth tones and ghostly voices were treated with guitar pedals, tape emulations and dusty reverbs. Drums and percussion feature drum loops dripping in character, unique snares and live percussion one shots. Every loop has been meticulously tagged and tempo-synced. Perfect for dark RnB, Trap Soul, experimental beats and more.
Its 12am, the clock strikes midnight and the lo-fi chill beats begin. Midnight Lo-fi Beats is the perfect sample packs for hip hop creators looking to capture the smooth and chill sounds of lo-fi. From peaceful pianos to downtempo spacey synths this pack will add a nocturnal lo-fi element to your beats and productions.
XXI VIBES VOL.2 is the second pack after the big succes of XXI Vibes Vol.1. The second volume brings you 5 high-quality construction kits, with banging 808s, drum samples, synth loops, hard-hitting drum hits, to boost your Trap beat productions to the next level of Trap sound. SHOBEATS carefully crafted the sounds you need to achieve this sought-after sound in the style of Lil Skies, Juice WRLD, DRAKE, Lil Uzi Vert, XXXTentacion, Future, Young Thug, Travis Scott, Tory Lanez, TM88, Metro Boomin, and more. Expect to get full inspiration from this sample pack that offers you all the loops and samples for each of 5 kits included. The MIDI files will give you maximum flexibility to create new original loops for your tracks, you can change any note, tempo, pitch or length.
Studio guru teaches you everything you need to know about the new features and functions added to Cubase 10.5! These videos are designed for those already familiar with Cubase 10 and want to get up to speed with the new additions to version 10.5. Gary welcomes you and begins with a focus on the new Spectral Comparison EQ and how to improve your mixes with it, followed by a in-depth look at the new Video Export Render feature which you can use to embed audio in your video exports. Next, you’ll explore the new Multi Tape Delay effect, how to color your tracks in the MixConsole, the improvements made when importing tracks into Cubase, how the updates made to Retrospective MIDI recording work, and how to use the new Combined Selection Tool that allows you to use the Range and Object Tools together to speed up and improve your editing workflows in Cubase!
It’s quite common for musicians to re-establish themselves as producers, after years of on-the-road toil and disputes over royalties (ok, we’re generalising a little here) it’s unsurprising that many seek a life of relative stability behind the desk. But to make the opposite career switch is not something we encounter very often. However, if there’s one man who can successfully make that transition from producer-to-artist, it’s the internationally renowned Paul Epworth; the Grammy-winning mastermind behind the key works of Adele, Coldplay, Bloc Party, Florence and the Machine and mountains more. In our brand new interview, Paul explains why now is the perfect time for him to embark on a solo foray into uncharted regions, and also how he is able to juggle that with being one of the world’s most celebrated and in-demand producers. Also this issue, we bring together a range of room correction software to run a group test, with the intention of learning just how much of an improvement they can actually make for your equipment and space. The results were… well, you can find out for yourself in our guide.
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