10 brand new trap-piano loops inspired by Future, 808 Mafia & more. Each loop comes with a WAV as well as a MIDI version for your creative pleasure. If you can’t turn these loops into hits please stop making beats. This dope pack was cooked up by Teflon Kwam and bagged & served up by ProducerGrind.
After mastering the art of multiple instruments, Speaker Honey has turned to synths and Ableton where she’s emerged energetically on to the dance scene with her own unique raw sound. Taking us on a deep dive into her track ‘Is This The Ending?’ Speaker Honey breaks down each element and focuses on the processing involved to get this awesome track ready for release. We look at how to avoid frequency clashes, how to widen and beef up sounds, vocal processing, building tension and anticipation and how to successfully mixdown a track to prepare it for mastering. Full of techniques and tips to help you improve your skillz this is definitely one to check out!
The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from magesy download the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.
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